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• Sales Rank: #12708181 in Books
• Published on: 1978
• Binding: Paperback

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[C135.Ebook] Download PDF The Minimalist Photographer, by Steve Johnson

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This book covers photography from a minimalist perspective, proving that it is possible to take very good photographs with relatively cheap equipment. The minimalist process emphasizes the importance of first knowing what you want to achieve as a photographer and then choosing the most effective equipment, subject matter, and general approach to meet your goals. The minimalist photographer works with the idea that the brain and the eye are far more important than the camera.

Author Steve Johnson begins by asking you, the reader, to look inward and make the connections between your nature and your photography. Why do you want to take photographs and what subject matter are you attracted to? What type of photographer are you now and what type of photographer would you like to become? These are important questions to consider when deciding what approach works best for you.

In subsequent chapters, you'll learn about the equipment and workflow of a minimalist photographer as Johnson discusses the strengths and weaknesses of various types of cameras and explains why the biggest or most expensive piece of equipment is not always the best. He also addresses the importance of lighting and teaches you how to achieve effective lighting without spending a lot of money.

Also included are discussions about aesthetics and composition, as well as a brief history of photography and the future of the art form.

• Sales Rank: #1142062 in Books
• Published on: 2013-04-13
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .41" w x 8.00" l, .98 pounds
• Binding: Paperback
• 144 pages

Review

"Who is this book for? This is yet another excellent read for aspiring photographers. Breaking down the many overwhelming aspects and complications of photography, this book manages to focus on what is most relevant in true photographic creation. The Minimalist Photographer touches on all of the key components of authentic photography in an easy to digest and extremely helpful manner." �--�Photo.net

About the Author

Steve Johnson was originally a painter who took photographs. Over the last decade he has become a photographer who paints occasionally. His distinctive minimal style stems from the belief that subject matter is not as important as aesthetic considerations like composition, tone, and line.

Steve has taught visual art and undertaken commercial art projects on both sides of the Atlantic and in the Middle East. He and his wife also owned a gallery that specialized in both painting and photography.

Steve's work has been exhibited in both the United States and the United Kingdom. He is a UK citizen who lives and works in the American Midwest.

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22 of 23 people found the following review helpful.
An amazingly helpful guide to developing your own aesthetic-- and why you should
By Jeff
The title of the book is The Minimalist Photographer, and it's all about what you bring to your photography, and why. Good photographs might happen as a result of just knowing how to use a camera, but consistently great images of any kind result from merging that technical know-how with some idea of what you want to convey about what you see.

Johnson clearly sets the premise for this book in the Introduction, beginning with the all-too-familiar crisis that a lot of us face after the excitement of a new camera wears off and we ask ourselves, "What now?" He came to realize that without bringing some kind of aesthetic philosophy to his photography, it would remain little more than an exercise in technical competence. He chose a minimalist, reductionist philosophical approach, and found that it works on all levels, whether as a style of art or as a conscious choice in equipment. Once that approach, that philosophy, was in place, the possibilities opened up, and interesting images could be made from nearly anything.

Developing an aesthetic philosophy begins with self-exploration, and the first chapter is appropriately titled "You." It starts with an explanation of why it is easier now to develop your own approach to photography than it was in the past, thanks to digital cameras and being able to share photos on the Internet, without worrying about meeting a pre-ordained standard set by publishers and gallery owners.

The chapter really kicks in for me, though, when Johnson poses the question, "Why do you want to take photographs?" It is a harder question to answer than it might first appear, but it is the first step toward developing your own philosophy, and you need to be honest. From there he asks, "What type of photographer are you now?" and gives examples of how certain kinds of labels, such as "landscape photographer," can be self-limiting, while others, such as as "minimalist photographer," can expand possibilities no matter what is being photographed.
The chapter concludes with, "What type of photographer will you become?" He explains that this is where having a workable philosophy can keep photography interesting and limitless: "Photography writing tends to treat the art as a top-down process. The assumption is that there is this finite amount of technical and artistic knowledge required, and when you have this knowledge, you are a master.... This approach is fundamentally wrong. Photography is a bottom-up process; it is about learning from the past, experimenting, making mistakes, and heading toward an unmapped future. This approach produces great photographers." From there he addresses temperament, our inner natures: "Possibly the hardest work that you will have to do as a photographer is to mesh your art with your own nature." Johnson stands out from the crowd on this one, warning against specializing too soon, and confusing specialization and style.

From here the book is structured from the approach to one's photography, to the basics like shutter speed and light metering, to camera types, and light sources. All of these are considered with a minimalist approach to equipment and time, of cutting to the chase. Particularly eye-opening is the section in Chapter 4 about the photography equipment industry and taking camera reviews with a grain of salt. Then comes a chapter on composition and aesthetics, with some useful ways of thinking outside of the rules.

The last three chapters give several different ways of learning from other photographers, both past and present, whether you agree with their approach or not--"to read with a critical mind." For instance, Johnson doesn't care for HDR, and he explains how he arrived at this as an example of self-analysis. Then he shows how the analysis not only works inward, but outward, as he looks at the place of HDR in the larger world of photography, the dynamics it creates in the community. Reading about others' approach to photography is crucial to developing your own; the key here is not just absorbing those approaches like a sponge, but in assessing what you read.

He goes on to show how a minimalist approach to photography evolved in the history of the camera, from its earliest days to the present ubiquitous camera phone, and through the art styles that photography influenced, such as Pictorialism and Modernism. This "selective history" (his words) shows how aesthetics in photography has further evolved from a rigid hierarchy established by the few who could afford it to today's near-anarchy, thanks to the computer and sites like Flickr. Johnson's hope that the increasing accessibility of photography, as a result of technological advances and prices coming down, will lead to a true meritocracy. It's an uplifting message for anyone who takes the art of photography seriously. As he says, "there has never been a better time to be a photographer."

This is a book I wish I'd had back when I first picked up a camera, especially a digital one. It is quite possible to use this book as a primer for the basics of photography, yet there's enough in it to get you going on a more advanced level, especially when it comes to developing your own style and aesthetics. There's tons of food for thought, all written in a casual, conversational style, and loads of great photographs which demonstrate the value of bringing a philosophy to one's art.

3 of 3 people found the following review helpful.
Minimalist its not, just short of real insight
By David W. Jenkins
I must admit to be being a bit disappointed with the text and layout of the book. The photo and their examination in the text is really quite inspiring and gives a much better insight into a minimalist approach. But then the book could have been a lot shorter.
The first 70+ pages are a bit of an overview of photographic technique. Stuff you'd expect to find in a beginners into to photography, and then not very much detail, (minimal?), and certainly no real help in translating those terms, settings and techniques into a minimalist photo philosophy. And yet another tour through the beginnings, development and current state of play of digital photography. I really think its time to move on past counting bytes, explaining pixels, and choosing FX or DX formats.
Take all that sort of beginner overview out and the book is now incredibly thin. One almost gets the feel that the text was written to conform to a word count and they or the author just kept adding text until the numbers matched.

However the upside is the photos, the details about them, and how that translates into the author's approach are really quite excellent. Some relatively thought provoking, and some downright eye catching.
I was hoping for a really inspiring look at minimalist photography with text to match the ideas.

I've rated it lower because the basic photo overview is irrelevant to the task at hand. There are better books that cover basic topics.

3 of 3 people found the following review helpful.
A Thoughtful Book on Photography
By W J Spicer
As a photographer do you sometimes feel that you are stuck in a groove that you'd like to leave? If so, this is a book you should pick up. I have been taking photos for 47 years, and I have certainly gone through these periods and wish that I had seen this book before now. Nevertheless, even now I have found this commentary on photography of significant value.
Steve takes a long view of the art of photography. He adequately reviews the history of where photography has been, where it is now, and peers into the future.
If you have felt overwhelmed by the flood of technology on the market, you will find relief here, as Steve points out the pitfalls of the photographic publications' bias towards the market's "latest and greatest." He supports your suspicion that you don't have to invest excessively while pointing you in the right direction regarding your interests and what the market offers.
Steve's interest is in promoting you as a reflective and thoughtful student of the photographic arts. We are all students here and in the introduction to his chapter on Composition and Aesthetics he says, "I believe we learn more from teachers who are not afraid to inject their own thoughts and passions regarding a subject than those who do their best to imitate a textbook on legs." Steve is passionate about this art form and to illustrate his book each chapter includes a gallery of his photos that not only illustrate the points of the chapter but his point of view captured in the title, The Minimalist Photographer.
This book challenges the reader to think about the question of why and to engage with others regarding the art of photography. It is written for a broad spectrum: from beginner to seasoned veteran and offers thoughtful commentary to all. I strongly recommend it to anyone who uses a camera either casually or consciously striving to grow their eye.

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• Sales Rank: #1897497 in Books
• Brand: Brand: Scholastic Trade
• Published on: 1996-06
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 10.50" w x 1.25" l,
• Binding: Paperback
• 125 pages

Features

• Used Book in Good Condition

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1 of 3 people found the following review helpful.
"No one has ever escaped from the perfect school"!
By A Customer
The perfect school is a great , gory and grose story .After waching it on T.V. I could not get to sleep.

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An intermediate text that provides a basic understanding of concepts and theory, presenting important mathematical statistics tools fundamental to the development of nonparametric statistics. Uses an intuitive approach emphasizing techniques for making a test distribution-free (such as counting and ranking). U-statistics, asymptotic efficiency, the Hodges-Lehmann technique for creating a confidence interval and a point estimator from a test, linear rank statistics, and more. Also includes currently developing areas. Readers are required to be familiar with the basic concepts of statistical inference and have a good knowledge of advanced calculus.

• Sales Rank: #3339240 in Books
• Published on: 1979-08-03
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 450 pages

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34 of 34 people found the following review helpful.
Randles and Hollander present the basic theory eloquently
By Michael R. Chernick
Just as Hollander and Wolfe's text has become the best known and most widely used texts for a first course in the basics of nonparametric statistics, so too have this text by Randles and Hollander become one of the best texts on the statistical theory of most of the basic techniques.

0 of 2 people found the following review helpful.
I bought the wrong book
By Jonathan Clancy
this book would be great for someone with a mathematical kind of mind; i just want the basics of nonparametric stats.

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"Through a Glass Darkly tells the story of Ron Hennessey, an Iowa farmer who

returned from the Korean War to discover that farming no longer held much

allure. Hennessey joined a Catholic missionary society and after nine years

of study was ordained a priest and sent to Guatemala. The book describes

Hennessey's conversion from being an unapologetic patriot from America's

heartland to a staunch opponent of Ronald Reagan's policies in Central

America - policies that occasionally threatened Hennessey's life.

Hennessey's story has a subtext: America's ideals of freedom, democracy, and

progress-with-justice have been violated abroad by one U.S. president after

another.

"

• Sales Rank: #1043243 in eBooks
• Published on: 2012-01-22
• Released on: 2012-01-22
• Format: Kindle eBook

About the Author
Thomas R. Melville served as a Catholic Maryknoll priest in Guatemala for ten years before being expelled in 1967 by Guatemalan and Church authorities for his role in planning (with other religious, both native and foreign) the formation of a Christian unit to graft onto the guerrilla movement that was fighting Guatemala's military rulers. Melville's religious training -- as a youngster in Boston and later in Maryknoll -- prompted him to ask why successive U.S. administrations financed repressive governments in Guatemala and Central America and why antigovernment guerrillas were labeled "terrorists" while U.S. advisors and their students were hailed as "freedom fighters."

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35 of 35 people found the following review helpful.
Ron Hennessey �Presente!
By Frank A. Gerace
Through a Glass Darkly by Thomas Melville. Reviewed by Larry Egan

Government corruption, hit squads, ecclesiastical intrigue, blood and guts and a lone person fighting the forces of evil sound like the ingredients for Dan Brown's next thriller. But this is Tom Melville's biography of Ron Hennessey, Maryknoll Priest, and his struggle in Guatemala to help his parishioners in El Pet�n and later in San Mateo Ixtan survive between the military forces of the government and the guerilla forces attempting to overthrow the various military regimes of the 70s and 80s,

Tom starts with Ron's early life in Iowa. His family,-sharecropper farmers,-provide a conservative but deeply socially involved environment in which he develops his own commitment to others. His service in Korea opens his eyes to the suffering and needs of others outside the US. In his own way he helps them-within and outside "the rule". This eventually leads Ron to Maryknoll.

As a classmate and friend of Ron since he joined Maryknoll, I found the book really portrayed Ron as we knew him. The class of 64 had a great habit of giving its members nicknames. Ron's was VOM (The Vile Old Man). He was the senior student and famous for his earthy farm humor. You never knew whether Ron had just given you a compliment or a real zinger. Ron always allowed you to draw your own conclusions.

Ron arrived in Guatemala in 1964 and served in several parishes in the Quetzaltenango area with Mayan Indigenas. This area was adjacent to Huehuetenango, the major commitment of Maryknoll in Central America at that time. Like most of us Ron was aware of the exploitation of the indigenas by the local power structure dominated by the Ladinos (Spanish speaking mestizos). But he tended to see it as a local issue rather than a systemic one.

Tom Melville's own experiences and reaction to the situation was not embraced by most of us in the region. Butit moved many of us to study the situation more globally and in a more systemic manner. Tom refers to his and Marge's own involvement with the guerillas in a few short sentences and in some footnotes and moves on. He is telling Ron's story and not trying to score points or -fight old battles.

As Ron witnesses the genocide of the various military regimes of Arana, Rios Montt and Lucas Garcia he begins to agonize how he can best serve the people with whom he works. He is never comfortable with overtly promoting the guerillas' cause since he was never convinced that they would produce positive changes for the indigenas, though he unquestionably favored them as the lesser of two evils. He also knows that what ever he says will influence people and likely get some of them killed. This struggle is the underlying thread of all that Ron does. He second-guesses himself at times. He gets angry with himself, the Church and God, but continues in the struggles despite his doubts and lack of clear and precise answers.

As the massacres began to increase Ron actively sent eyewitness accounts to his three nun sisters in Iowa and asked them to publicize the atrocities in the US press. His later conversations with the US Embassy officials who try to get him to change his statements to a "more balanced" view are right out of Alice in Wonderland. Embassy officials then proceed to misquote him out of context.

Ron's distaste for Cardinal Casariego and his policies is clear. His growing friendship for Archbishop Romero comes through in ways that probably will surprise many. His willingness to publicly expose Casariego and the Papal Nuncio's machinations in the Vatican against Romero are an illuminating but little known aspect of the larger struggle in the Church in Central America. Pope John Paul II should at least question his choice of informational sources if not his own part in the devastation of the local churches of Central America in this period.

The members of the Maryknoll Central American Region elected Ron regional superior four times,-twice before he began his public campaign to publicize the atrocities-and twice after. Ron always joked that academically he was 41st in a class of 40. People chose Ron as their leader not because of his intellectual prowess, but because of his honesty and commitment to justice for all. His willingness to work with everyone and slowly but surely call it as he saw it resonated with the region. This comes out clearly in his dealings with Bill Woods and Bill's subsequent death. His investigation which finally leads Ron to the conclusion that Bill and his five companions were indeed killed by the Guatemalan military powers will add lots of new information for many.

Tom uses two literary techniques in telling the story. The first is translating the rudimentary Spanish of the local indigena people into idiomatic (pidgin?) English. This is particularly effective in capturing the flavor of some of the discourses. The conversations that Ron has with five guerillas who arrive at the rectory at midnight are a microcosm of the ideological and human concerns that were dominating the area. Despite significant differences in outlooks, the guerillas and Ron part "friends". Tom also weaves the past history of Guatemala, from the conquest to the elections of Ar�valo and Arbenz in the fifties, to the later military regimes of Castillo Armas and his successors. This background is essential for placing Ron's life in the wider context of the situation of Central America. For those who know the region this is effective. For those coming to the region for the first time the jumps in chronology may be a bit difficult to follow at times.

While there are a few things that I would have a different interpretation of or different take on, they are minor and in no way detract from the author's main thrust. The book does not use Ron's story to provide a vehicle for a larger social thesis but presents the social, religious and political realities of Central America as the context in which Ron had to make painful decisions.

This book should be a must for all persons who value justice.. It recalls the idealism and conviction that they have felt in their own life. For those who knew Ron it recalls in vivid detail his laconic wit, pithy sayings and deep commitment to serving the Mayan Indians of the altiplano of Guatemala. It also should be on the mandatory reading list for the Vatican School of Diplomacy. It highlights the role that nuncios play in the political and religious life of the people they serve and the devastating influence they can have if they forget that they are Church people before they are political operators. The State Department should also put it on its list of books diplomats should read. Why the people of the world like Americans and hate the foreign policy of the US Government, Republican or Democratic-is graphically presented. US Government officials who lie to protect the integrity of US policy and bishops who lie for the good of Holy Mother Church are apt bedfellows. Tom names names. Lastly anyone involved in Peace and Justice work will find in the book an inspiration to continue the struggle to help those in the two-thirds world.

23 of 23 people found the following review helpful.
A gripping tale of genocide
By Robert Phares
This is a book for which many have been waiting. Genocide is a difficult subject to think about, let alone read about in gruesome detail. The stark facts about the genocide of the indigenous Mayans in Guatemala during the 1970's and 1980's have been reported by others, but not in an easily readable format. Other sources have attempted to spell out the role of the US government in the genocide, but more in a legal or academic tone. There are many documented accounts of individual massacres in Guatemala. These individual stories are important, but are more in the nature of individual snapshots. This book tells the longitudinal story in measured detail and in a personal manner through the life story of Maryknoll priest Ron Hennessey.

The book pulls the reader in by describing the gentle nature of the indigenous Mayans and their struggle for survival in their simple villages. Those who are fortunate to escape early death due to malnutrition and poor health care are faced with the new threat of the Guatemalan military. The unspeakable torture and murders are so much more meaningful after identifying with the villagers through Hennessey. The question screams out in the reader's mind: "What did these gentle people do to deserve their fate?" The book presents a thorough explanation of the role (both active and passive) of the US government in the genocide.

This book will appeal to those with a strong interest in Latin America, but also to the general reader with interests in US foreign policy. One warning -- most readers will feel emotionally drained after experiencing the horrors of the Guatemalan villagers through the eyes of Ron Hennessey.

17 of 17 people found the following review helpful.
One Man's Fight to Stop US Betrayal of American Ideals
By Thomas T. Mcmahon
Through a Glass Darkly describes how US foreign military aid breeds hate and fear and the disasters that result. Many foreigners have a split vision of America - while they admire individual Americans for their ideals they abhor US foreign military aid.

This book chronicles the life of Father Ron Hennessey, a Korean War veteran turned missionary who dedicated himself to bettering the lives of Mayan Indians living in the remote mountains of Guatemala. Padre Ron gets caught in the war between communist inspired insurgents and the army of a banana republic despot. Most of the victims of this tragic conflict are innocent children, women and men. This is a tale of a dedicated man's resolve to tell Americans about US duplicity and this disastrous page of US foreign policy.

Unafraid to name names the author reveals the lies and deception of US government diplomats and CIA operatives as they tried to cover-up the consequences of a policy run amuck. It's not a pretty picture but Melville suggests how we can change this on-going dysfunctional foreign policy that continues to this day. Americans need to hear about these behind the scene goings-on so they will pressure the government to change our policy to reflect America's ideals as practiced by men like Ron Hennessey.

For those unfamiliar with Mayan culture and 500 years of repression in Central America Melville sprinkles anthropological and historical insights throughout the story. It's the kind of book that inspires the reader to exclaim, "Oh now I understand why we're in this mess. That's why young people turn into insurgents."

It's a good read with an important message that will help defeat terrorism at its roots.

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The best-selling introduction to Cocoa, once again updated to cover the latest Mac programming technologies, and still enthusiastically recommended by experienced Mac OS X developers.�

“Cocoa� Programming for Mac� OS X is considered by most to be the de-facto intro-to-OS X programming text.”

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�

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If you’re developing applications for Mac OS X, Cocoa� Programming for Mac� OS X, Fourth Edition, is the book you’ve been waiting to get your hands on. If you’re new to the Mac environment, it’s probably the book you’ve been told to read first.

�

Covering the bulk of what you need to know to develop full-featured applications for OS X, written in an engaging tutorial style, and thoroughly class-tested to assure clarity and accuracy, it is an invaluable resource for any Mac programmer. Specifically, Aaron Hillegass and Adam Preble introduce the two most commonly used Mac developer tools: Xcode and Instruments. They also cover the Objective-C language and the major design patterns of Cocoa. Aaron and Adam illustrate their explanations with exemplary code, written in the idioms of the Cocoa community, to show you how Mac programs should be written. After reading this book, you will know enough to understand and utilize Apple’s online documentation for your own unique needs. And you will know enough to write your own stylish code.

�

Updated for Mac OS X 10.6 and 10.7, this fourth edition includes coverage of Xcode 4, blocks, view-based table views, Apple’s new approach to memory management (Automatic Reference Counting), and the Mac App Store. This edition adds a new chapter on concurrency and expands coverage of Core Animation. The book now devotes a full chapter to the basics of iOS development.

• Sales Rank: #594918 in Books
• Published on: 2011-11-19
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x 1.14" w x 7.17" l, 1.74 pounds
• Binding: Paperback
• 528 pages

About the Author

Aaron Hillegass, who worked at NeXT and Apple, now teaches popular Cocoa programming classes at Big Nerd Ranch. At NeXT, he wrote the first course on OpenStep, the predecessor to today’s Cocoa tools. This book is based on the big Nerd Ranch course and is influenced by more than a decade of work with OpenStep and Cocoa.

�

Adam Preble learned Cocoa programming from the first edition of this book. After too many years of professional C/C++ development, today Adam writes Mac and iOS applications at Big Nerd Ranch, where he is also a Cocoa instructor. He is frequently filling in the gaps between work and family time with pinball machine software development and countless other projects.

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156 of 162 people found the following review helpful.
Not Perfect, But Highly Recommended
By HiRez
This was the book I had been waiting for, or at least ONE OF the books I had been waiting for, to really get started with Cocoa programming. The O'Reilly book, as has been mentioned plenty of times here, leaves a lot to be desired, and while it was better than nothing, a wall still remained between me and Cocoa after finishing it.
After reading Cocoa Programming for OS X, I feel I can say I "get" Cocoa finally. That's not to say I'm an expert, but that I can complete a simple program now, on my own, using the Cocoa frameworks and concepts. As Aaron says in the book, learing the Cocoa APIs will take much longer. I come from a Java background, with only marginal C and C++ experience. Although Aaron does not speak much about the objective-c language itself, that's ok. Apple's PDF is more than adequate to get that background.
There are some things that get glossed over that I wish had been more fully explained, and some things left out altogether that I would have liked to see, such as:
-- Spawning and managing multiple threads, thread safety issues

-- exception handling, debugging and assertions

-- Cocoa "primitive" objects (NSPoint, NSRect, NSRange, etc.), why they apparently don't need to be retained or released, and why they are "NS" objects but don't really behave like them.
-- Calling Toolbox routines or those from APIs that have not yet been "Cocoa-ized" (and integrating the Old Way into the Cocoa Way), with examples. Cocoa is nice but once you get away from building a text editor, you will need to dig into this ugly and unfriendly world at some point (unfortunately). For instance, how do I access the Airport card, how do I open and use a network socket, how can I read a DV-encoded stream from a FireWirePort and save it to disk as a QuickTime movie, how do I access a database, how do I use an OpenGL view?
-- How to customize Cocoa UI elements. Like if I wanted an NSSlider with TWO sliders, a minimum and a maximum. There is an example of subclassing an NSView in the book, but that's just a drawing panel.
To be fair, I'm not really criticizing Aaron for these things. The book has plenty of useful stuff, and I'm sure Aaron wants to write and sell more books, so some advanced Cocoa books that address some of these things as well as others will be welcome...I hope someone is writing them right now. I also hope someone is writing a comprehensive Cocoa API reference, as Apple's is somewhat lacking (Have you seen the phrase "Description Forthcoming" more times than you care to remember? I thought so.)
The bottom line is that this is a great book that is a must-have for anyone interested in Cocoa programming. I'd probably rate it four or four-and-a-half stars, but I'm giving it five for being there when I needed it, and being the first really useful book on the subject. The best thing I can say about it is that I can now do things there is simply no way I could have before.

101 of 103 people found the following review helpful.
Great intro, a few nits
By Dan Crevier
First my background. I'm a very experienced C++ programmer who is also very experienced with Carbon.
I found this book to be a great intro to Cocoa without a lot of preaching about how Cocoa will change the world. Carbon vs. Cocoa seems to be an almost religous debate, and I'm glad this book didn't try to overpromise the benefits of Cocoa.
The book is well organized, very readable, and has good examples. It is *much* better than the O'Reilly "Learning Cocoa" book.
After reading this book, you'll be able to start writing applications in Cocoa, and you'll know where to go for more info.
Now, my nits:
* The book explicitly stated that it was for people with a C++ or java background, but I think there should have been more direct comparisions between C++/java and Objective C. For example, saying that class functions (the ones with +) are just like static functions in C++ would have helped.
* This may be an introductory book for people moving from other platforms to the Mac, but the UI for most of the applications violated Apple's UI guidelines in many ways. I think the book should have promoted following Apple's UI guidelines.
* There was no discussion of exceptions, and much of the code was not exception-safe and didn't do much error checking. There wasn't even the usual disclaimer about leaving that out for simplicity.
* I would have liked a quick overview at the end of some of the classes not discussed in the book with a couple of sentences about what they do. This would help to learn what's out there.
I hope to see more books on Cocoa by the author. There's still lots of room for books on more advanced Cocoa topics.

56 of 59 people found the following review helpful.
Getting started in Cocoa
By charles
First, I have to say I loved this book, I actually read half of it on a trip, not being in front of my computer, and still enjoyed the clear style and the gradual addition of new concepts and tools, chapter after chapter. Then I could hardly wait to be back home and start doing it for real.
Now for the potential buyer.
WHAT IT IS NOT: a reference book (no list of classes etc...) or a technical book for advanced programming; a book about Java or Carbon; an introduction to object-oriented programming; an introduction to C.
WHAT IT IS: an excellent introduction to programming in Objective C in the Cocoa environment of Max OS X, provided you know enough about
object-oriented programming (some basic understanding of C++ is preferable too).
WHAT YOU LEARN: Objective-C in Cocoa; using Apple Developer Tools; building an application in Mac OS X; how to make optimal use of Cocoa classes and API, knowing how they were conceived and meant to be used; a number of basic concepts and tips that really get you started.
THE PLUS that make this book so interesting: very good and clear writing; some amusing brief 'historical' insights; you really feel the author knows what he is talking about; the author gives personal views (clearly stated as advices, not rules); follow-up, errata, examples, comments, and more on his web site; still completely useable with OS X.2 (a couple or very minor changes that are listed on the web site anyway), so that's the good time to buy it (price is down, but content is still up to date).
Final comment: Objective C in Max OS X is very powerful and enjoyable.

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[D823.Ebook] Ebook Free Music in Western Civilization, by Paul Henry Lang

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Lang's monumental history of music and musical culture has stood for the past half-century as the definitive work of its kind.

The scope of the book is vast, beginning with the music of ancient Greece and ending with that of the first two decades of the twentieth century. But music is not viewed in isolation. Rather, the author presents music as one of the many arts that, taken in conjunction, form the essence of the artistic spirit of an era.

• Sales Rank: #1780866 in Books
• Brand: W.W. Norton & Co
• Published on: 1997-08-17
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.60" h x 2.20" w x 6.70" l, 3.85 pounds
• Binding: Hardcover
• 1152 pages

From Library Journal
Lang's volume has long been hailed as a benchmark in the field since making its debut in 1941. This updated edition includes a new foreword.
Copyright 1998 Reed Business Information, Inc.

Review
“All in all, Music in Western Civilization is about the most fascinating general book on music I have ever read. I only wish there were more of it. 1100 pages is not a proper length for a book like that.” (Virgil Thomson)

About the Author
The late Paul Henry Lang ranks among the century's most eminent musicologists. A longtime faculty member at Columbia University, he also served as editor of the Musical Quarterly and as music critic for the New York Herald Tribune.

Most helpful customer reviews

16 of 17 people found the following review helpful.
A MUST
By Michael Eglin
This is the most comprehensive and engaging history of music ever written. It is a shame that the likes of Stolba and Wright & Simms are being foisted upon unsuspecting undergraduate apprentices of music history in academies all over the U.S. These "histories" are overpriced and simpleton both in their writing and scope.

Lang is a superb writer, a connoisseur of history, art, literature, politics, culture, AND music.

This work is a MUST for any serious student/lover of music and music history.

1 of 1 people found the following review helpful.
This particular copy needed repair
By Linda L. Giedl
I had to do some repair on the binding. It was coming apart. Otherwise, fine. The book is a classic -- among the best accounts of Western music ever written.

14 of 27 people found the following review helpful.
Absolutely indispensible
By A Customer
This book is a classic in every sense of the word and belongs on the bookshelf of every lover of music in the world. Essential.

See all 3 customer reviews...

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[R657.Ebook] Ebook Free New York by Gas-Light and Other Urban Sketches, by George G. Foster

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First published in 1850, New York by Gas-Light explores the seamy side of the newly emerging metropolis: "the festivities of prostitution, the orgies of pauperism, the haunts of theft and murder, the scenes of drunkenness and beastly debauch, and all the sad realities that go to make up the lower stratum—the underground story—of life in New York!" The author of this lively and fascinating little book, which both attracted and offended large numbers of readers in Victorian America, was George G. Foster, reporter for Horace Greeley's influential New York Tribune, social commentator, poet, and man about town. Foster drew on his daily and nightly rambles through the city's streets and among the characters of the urban demi-monde to produce a sensationalized but extraordinarily revealing portrait of New York at the moment it was emerging as a major metropolis. Reprinted here with sketches from two of Foster's other books, New York by Gas-Light will be welcomed by students of urban social history, popular culture, literature, and journalism.

Editor Stuart M. Blumin has provided a penetrating introductory essay that sets Foster's life and work in the contexts of the growing city, the development of the mass-distribution publishing industry, the evolving literary genre of urban sensationalism, and the wider culture of Victorian America. This is an important reintroduction to a significant but neglected work, a prologue to the urban realism that would flourish later in the fiction of Stephen Crane, the painting of George Bellows, and the journalism of Jacob Riis.

• Sales Rank: #614538 in Books
• Color: Red
• Published on: 1990-11-21
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .59" w x 5.98" l, .79 pounds
• Binding: Paperback
• 251 pages

Most helpful customer reviews

14 of 15 people found the following review helpful.
A Great Sampler of a Great Sensationalist
By Rocco Dormarunno
Stuart Blumin has done a brilliant job of capturing the essence of George Foster's contemporaneous accounts of New York as he presented it, in "New York by Gas-Light and Other Urban Sketches". By that I mean that this collection of "sketches" are not to be taken as literal accounts. This is not a history. George Foster was one of the acknowledged kings of sensationalism when it came to writing about mid-19th century New York City.
While the Five Points neighborhood was a crime-ridden, filthy neighborhood, its depiction in Foster's accounts are highly exaggerated. And while crime was an unavoidable element of a New York which, at the time, had no real police force, Foster's essays would lead one to believe that merely walking down the street--any street--was an invitation to mayhem. This was not true then, nor is it now. So why did he write these sketches? Why did he make Manhattan seem so undesirable? Because there was a profit to be made. Affluent New Yorkers bought these types of books to make themselves feel better about their own situations, and it offered them a bit of voyeurism into a dark world that was a part of their island. It also proved popular with people in other cities, as they could read about the terrors of a New York City that was cluttered with "filthy immigrants", criminals and chaos. And George Foster played it to the hilt!
If you can put aside the over-the-top stuff, however, there is much to be learned in these pages. The streets of lower Manhattan were congested, they did smell (think of the wild pigs or of the countless horses that were relied upon for transportation), and the misery of the slums was a given, if you were poor. Foster's language is also an undeniable historic artifact, as it captures the idioms of the day.
For my money, the more historic sketches are in the second half of this collection, the streaks of "sunlight". Here Foster presents a handful of vignettes of every day life in the growing city. "The Eating-Houses" is a delightful look at how ordinary men and women took their meals. And the "Quarter of an Hour under an Awning" is so lucid, so cleanly written--even with its pickpocket story--that it is the most "real feeling" essay in the book. The sudden storm that breaks out during the afternoon rush hour, the inablility to catch an omnibus (bus) or a hack (taxi) rings true to this day. At times, on my lunch hour, I walk by the street corner near City Hall where this quarter of an hour passed, and can watch it all transpire in my head. With so many of the old buildings still extant in that area, it's easy to do.
"New York by Gas-Light and Other Urban Sketches" is a marvelous book about a by-gone era in New York's history, as well as a great insight into the sensational sensationalist that George Foster was.
Rocco Dormarunno, author of The Five Points and The Five Points Concluded

18 of 20 people found the following review helpful.
Excellent First-Person Account of New York Life in 1850
By L. Sabin
This book was a delight to read. The fact that it was written as a first person account, using the vernacular of the time, made it even better. Also, the fact that the majority of the book is involved with nocturnal New York, and all the seedy goings-on one might associate with it in any time period, make it even more interesting. I especially liked the way Foster evoked a sense of adventure, by figuratively taking the readers hand and "leading" him down darkened streets and alleys, etc.
For a quick dose of NYC history from a perspective you can't get everywhere else, this book is highly recommended.

2 of 2 people found the following review helpful.
Sensationalism at its most sensational
By Dark Romantic
To start with, Blumin's introduction is an important piece, wrangling together the few certain facts about Foster's life and career; this alone makes Blumin's work valuable. He also contextualizes the writing and offers an extended analysis of the type of sensationalism Foster wrote, why it was popular, and how to read and understand it. Foster's book itself is outstanding - and a fun read. He writes like a poet, with beautiful imagery and fascinating description. I picked this book up partly because it fed into my interest in George Lippard and his book "The Quaker City, Or, the Monks of Monk Hall: A Romance of Philadelphia Life, Mystery, and Crime," but the two are hardly comparable. Lippard offers a more enclosed urban storyline and, more importantly, he's not a good writer and his over-the-top moral judgments as the story rolls along make it nearly unreadable except for specialists. Foster, however, knows how to entertain, but he also writes elegantly. It's a sort of bouncy, witty style that reminds me a bit of the prose of Nathaniel Parker Willis - especially because it is written in the first person and invites the read to tag along on the adventure.

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